Singer Ronnie James Dio joined BLACK SABBATH in 1979 which resulted in two back-to-back classic albums: "Heaven And Hell" and "Mob Rules". On those memorable albums, Dio's soaring tenor and gothic songwriting were the perfect foil for the band's bone-crushing mix of razor-sharp riffs, intense grooves, and dark imagery.
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This edition of the series celebrates the 50th anniversary of the release of Brian Wilson's masterpiece, the Beach Boys' album Pet Sounds. Wilson and the surviving members of the Beach Boys - Mike Love, Al Jardine, Bruce Johnston and David Marks - guide us through the writing and recording of the landmark album that is consistently voted one of the top three most influential albums of all time.Featuring exclusive interviews, classic archive and rare studio outtakes from the recording sessions, the film tells the story of the creation of the record that cemented the Beach Boys' reputation as a leading force to rival the Beatles, and Brian Wilson as a songwriting genius.
Series looking at the creation of some classic rock albums looks at Amy Winehouse's second album Back To Black from 2006 and how it transformed the beehived girl from north London into a global star, with hits like Rehab, the title track and Love Is A Losing Game. Back to Black helped launch a wave of soul-influenced British chanteuses including Adele and Duffy and has since sold over 20 million copies.This film reveals Amy Winehouse the artist, focusing firmly on her lyrics, influences and vocal talents. Using unseen footage from the Miami and New York sessions and rarely seen archive of Amy in interview and performance, producers Mark Ronson and Salaam Remi and their respective musicians shine a light into the making of Back to Black and offer their firsthand accounts of Amy's genius and her emotional turmoil.Featuring producers Mark Ronson and Salaam Remi, the Dap-Kings band, Amy's colleagues and friends, Island president and A&R director Darcus Beese and Ronnie Spector.
This is a heavier album than any of its three predecessors; whether it's due to the bandmembers' advancing age or the influence of anxieties felt throughout the world outside the studio, it's the closest in spirit to the first two Black Sabbath albums, themselves forged in the psychic darkness that was the tail end of the 1960s. It's not until "Eating the Cannibals," track seven of ten, that the band revs into high gear the way it did on "Neon Knights" and "Turn Up the Night" 20-plus years ago. The songs that begin the album, and make up the bulk of its running time, are like slow-motion avalanches, Iommi's riffs and Appice's drumming punishing the listener like medieval monks scourging unbelievers. Dio's lyrics, too, seem to embody an almost Old Testament world-view, positing a universe of darkness, fire, and despair. His voice is as powerful as ever, but he's no longer offering self-esteem lessons the way he once did; he seems consumed by fear and doubt. This gives The Devil You Know a feeling of genuine doom that leaves little opportunity for the catharsis provided by classic heavy metal. While the Osbourne-fronted and Dio-fronted versions of Black Sabbath are, again, very different bands, this is an album that matches its moment every bit as perfectly as Paranoid did back in 1970.
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